Squeak Carnwath
Love is in the Bin is a 2018 art intervention by Banksy at Sotheby's London. According to Sotheby's, it is "the first artwork in history to have been created live during an auction." His 2006 painting of Girl with Balloon unexpectedly self-destructed immediately after it was sold at auction. The damaged painting was later renamed Love is in the Bin. It has been on permanent loan to the Staatsgalerie Stuttgart since March 2019. In October 2021, it sold at auction for £18,582,000 (then equivalent to US$25,327,452 or €21,896,100), a record for the artist.
Albert Einstein
Albert Einstein
Albert Camus
Mind the Gap is a composite image. A composite landscape made up of landscape elements that are isolated from their original context and reassembled as a painted 'cut and paste work' to form a new landscape. The individual parts are no longer experienced as a homogeneous part of the overall picture. The landscape has little in common with the representation of a landscape from the real world. It doesn't make sense. Too many missing parts, parts that don't belong.
The underlying idea or motivation that led to this image mainly concerns the concept of reconstruction. Reconstruction is a control mechanism that we (consciously / unconsciously) are constantly working on in keeping the world around us understandable. To be able to interpret things, to solve problems or to understand yourself or someone else.
However, a reconstruction always takes place afterwards. Depends on the available information from the past and the reliability of the source, not least how we subsequently process that information.
The information is often brief or too fragmented to form a conclusive picture. The gaps in the provision of information (Mind the Gap) are filled in on the basis of assumptions, what is perceived as logical, the prejudice or the lie. This leads to a distorted image of reality.
Mind the Gap is een samengesteld beeld. Een composiet landschap opgebouwd uit landschapselementen die zijn geïsoleerd uit hun oorspronkelijke context en als een geschilderd ‘knip en plak werk’ weer zijn samengevoegd tot een nieuw landschap. De afzonderlijke delen worden niet meer als homogeen deel van het totale beeld ervaren. Het landschap kent nog maar weinig raakvlakken met de voorstelling van een landschap uit de reële wereld. Het klopt niet. Te veel ontbrekende delen.
Het achterliggende idee of motivatie wat heeft geleid tot dit beeld gaat voornamelijk om het begrip reconstructie en het reconstrueren. Het reconstrueren is een controlemechanisme waar wij (bewust/onbewust) voortdurend mee bezig zijn in het begrijpelijk houden van de wereld om ons heen. Om zaken te kunnen duiden, problemen op te lossen of om jezelf of iemand anders te begrijpen.
Een reconstructie vindt echter altijd achteraf plaats. Is afhankelijk van de beschikbare informatie uit het verleden de betrouwbaarheid van de bron en niet in de laatste plaats hoe wij vervolgens die informatie verwerken, en met welke intenties.
Vaak is de informatie summier of te gefragmenteerd om een sluitend beeld te vormen. De hiaten of de leegtes in de informatievoorziening (Mind the Gap) worden ingevuld op basis van veronderstelling, wat men als logisch ervaart , het vooroordeel of de leugen.
Pascual Jordan
In 2004 'Fountain' was declared the most influential artwork of the 20th century.
Sixteen replicas were commissioned from Duchamp in the 1950s and 1960s and made to his approval.
There are rumours that the urinal was in fact not created by Marcel Duchamp?
Read this: the iconic fountain 1917 is not created by marcel duchamp
Marshall McLuhan
Alfred North Whitehead
Edgar Degas
Cattelan has turned the act, the truly absurd event, of rich people buying bananas and the ensuing media spectacle into a kind of performance art.
‘Comedian,’ with its simple composition, offered a complex reflection of ourselves on how we assign worth and what kind of objects we value. It’s the grotesqueness of the sale and ensuing spectacle, and more specifically, it’s the idea that the system is absurd.
So don’t ask if the duct-taped banana is art. Ask if it’s any good. It’s not the banana that constitutes the art.
One could say it is like the emperor's new clothes. Some 114 years ago Marcel Duchamp already submitted his, now world famous 'Fountain', for an exhibition of the Society of Independent Artists. Fountain was not rejected but the work was never placed in the show area.
Just like duchamp's urinal Cattelan's banana was eventually removed from gallery Perrotin's booth at the art fair, although for a completely different reason. The work of art had caused ‘several uncontrollable crowd movements'.
Banksy














































